Get Flux.

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Conscious Flux is a Melbourne Australia based film, tv & new media production house,
whose specialty is promoting conscious business.

What do we mean by conscious business? Businesses and organisations who are actively shifting towards
higher standards in ethics, social responsibility & environmental sustainability.

By investing your marketing dollars in a Conscious Flux production you can be assured of two things:
1. a premium quality product, whatever your price scale; and
2. when those dollars make their way out of our hands, back into the market, wherever possible
we’re going spend it with businesses that we feel are trying make the world a little better
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It’s the best way we know to make real change every day, after all it’s called ‘consumer demand’ for a reason.

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If you’d like to get in touch you can find all of our contact details on our About page.
Take a look around our site or scroll down for the latest in Conscious Flux news.

‘The Last Session’ Shoot Completed

We managed to squeeze in one last creative project for the year with the shoot for Kieran O’Mullane’s short film, ‘The Last Session’.  Produced by Bronya Lipski and AD’d by Jonathan Davis, this little film was created with the support of Conscious Flux at every stage.

The story centres around a patient deciding to end his two decade long relationship with his therapist, however these things never turn out as simply as planned.

Summer Media

Our heroes at www.storyofstuff.com have just made a new,
easy to understand animation explaining Carbon Trading.
http://storyofstuff.com/capandtrade/

Spring Media

Check out what’s piqued our interest:

Woodford Folk Festival Seeks Financial Support
Unable to keep up with the exponential growth in a sustainable way, Woodford is asking for support from all those whose spiritual home is The People’s Republic of Woodford.
http://www.friendsofwoodford.com/

Obama Asks China To Stop Censoring Internet
(If only he could have a word with Senator Conroy)
http://www.huffingtonpost.com/2009/11/16/obama-answers-questions-a_n_358651.html
http://news.yahoo.com/s/ap/20091116/ap_on_re_as/as_obama_china_internet

Models Strip For Climate Change Awareness:
Jono found this on the Greenpages Australia newsletter and thought it was a great example of using
traditional marketing tricks like the old ’sex sells’, for the powers of good instead of evil.
(That’s pronounced ee-ville, like the froo-its of the dev-ille, btw.)

World revolts against capitalism, BBC survey shows
http://money.ninemsn.com.au/article.aspx?id=928712

http://news.bbc.co.uk/2/hi/8347409.stm

Fraudulent “Smart Choices” food labeling crumbles as food manufacturers flee scrutiny
http://www.naturalnews.com/027380_food_labeling_nutrition.html

A Green Light for Guerrilla Gardeners
http://newmatilda.com/2009/11/02/green-light-guerilla-gardeners

Ad Industry Association Rejects Greenwashing
http://www.thegreenpages.com.au/index.asp?page_id=1436″ target=”_blank”
http://www.gmagazine.com.au/news/1567/new-advertising-code-crack-down-greenwash

Solar households to get paid for all their power – NSW
http://www.abc.net.au/news/stories/2009/11/10/2738706.htm?site=news

Flexicar Project Complete!

Flexicar is a car sharing service, helping people have all the advantages of a car, without having to own one. For us, the idea of less cars on the road can only be a good thing.

Take a look below at the induction video we’ve created for them to show new, existing and potential customers all about how the Flexicar service works.

Flexicar Shoot Completed!

A half day of greenscreen in our little studio and a day and a bit of shooting on location around Melbourne and we’re done!  Thanks to the amazing help of our editor and motion graphics artist, Alex Scott of Growing Brain fame, we’re almost finished the edit too!

Flexicar is a locally owned car sharing service allowing members to have all the convenience of having a car without owning one.

Stay tuned for Flexicar’s new video, soon to be available for your viewing pleasure online.

Organic Expo – Royal Exhibition Building, Melbourne, July 2009

Conscious Flux at Organic ExpoThe Organic Expo saw the Royal Exhibition Building in Melbourne packed full of wholesalers and retailers showing off their wares. From organic food and clothing, to chemical free gardening, to ethical investing and ISO Certification there was something for everyone. Expos such as this demonstrate that organic, fair trade, ethical and sustainable products and services are available in an overwhelming number of markets. We learned about more products and more services we can use in both our professional and personal lives to help make change in the world without making too drastic a change in our overall lifestyle.

We were visitors this year, going for networking and reconnaissance. We can be impatient people, what with working in the media and all, but we were stoked to discover a massive queue waiting to get into the Expo. How awesome is it that an event all about organic products and living had a massive line of the general public waiting to get it?! We believe this is a sign that people are slowly but surely making the change towards ethical and sustainable living. Jono’s favourite moment was witnessing a woman look around her at the plethora of stalls, relax, and smile – her face and body-language suggesting that yes, the world is going to be just fine.

There’s an ethical alternative for just about everything now. The choice is yours!

The Organic Expo alternates between Sydney and Melbourne, and will in Sydney for 2010. By then we imagine it will showcase a larger number of products and services than are already available for businesses and consumers alike.

‘Boxer’ Selected To Screen At Melbourne International Film Festival

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After being selected and screened at the Sydney Film Festival earlier in the year, writer / director Michael Latham  & producer Lester Francios’ short film Boxer has made it into the Melbourne International Film Festival.

We’d like to wish them a huge congratulations… again.

We’re extremely proud to have been part of the crew that helped put this film together. Bronya worked as the production manager on this film and Jono was part of the camera team, responsible for the RED data management.

For more info on screening times and dates visit the MIFF website.

Green Marketing Forum – Melbourne, July 2009

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Having been out of town for a few weeks, we walked straight into an event that has left us feeling positive and inspired: The Second Annual Green Marketing Forum.

We’re extremely excited to be producing a promo for the event organisers of The Green Marketing Forum, The Dealers Group and Ethical Investor, not least because we get to watch the forum over and over, allowing all of the amazing information to really sink in deep.

Overall, green industries seem to be well placed to weather the current financial storm and there’s substantial statistical data to show that there has been a large swing in consumer choice towards greener alternatives.

It’s information like this and industry events like The Green Marketing Forum that make us sleep better at night and bounce out of bed the next morning.

AT LARGE Gallery Grand Opening – June 2009

PROUDLY SUPPORTED BY CONSCIOUS FLUX

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At Large is a brand spanking new gallery space in Northcote, Melbourne.

We here at Conscious Flux wanted to make sure that the At Large team had a seriously super sweet opening night so when they asked us to whip up something that looked like sexual chocolate* we were more than happy to comply.

The event was a rocking success and we were extremely pleased to have helped such a talented and dedicated crew launch their new creative venture.

Check out the At Large website or visit Art Director/Designer Leon Williamssite for images of the event.

*Video Projection may look like proverbial sexual chocolate only.

‘Australian Film Funding’ Forum – St Kilda Film Festival, May 2009

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Last night we attended a forum hosted by St Kilda Film festival about Film Funding in Australia.  Here’s what we learned from the panel, which represented almost every funding body in Australia.

THE PALACE GEORGE CINEMAS
St Kilda Film Festival – 27 May 2009

Moderated by Shaun Miller: Partner, Marshalls & Dent Lawyers

Mike Cowan – Screen Australia (formerly the AFC, FFC & Film Australia):

  • Screen Australia announced they have reconsidered the decision to remove short film funding.  There was a clear acknowledgment that short films are a necessary stepping stone for ‘early career practitioners’.
  • There will soon be announcements about the new funding programs from Screen Australia.
  • It was also mentioned that the selection criteria will remain approximately the same as it has been in the past.


Lindsay Lipson – FilmVic:

  • Applications with key creative teams of three individuals, (writer / producer / director) will be looked upon far more favourably than teams of two, i.e. a writer/director and a producer.
  • In the past projects have been selected primarily on the script, as well as whether they are an original voice and their ability to demonstrate that they can realise the story on screen.
  • FlimVic funding for shorts is up to $120k, which equates to roughly $10k per minute of screentime.
  • Round One of selection is based almost solely on script.
    Subsequent rounds also depend on team and potential festival success.
  • Roughly 16 applications make it into the shortlist for Short Film funding.
    (40-50 applications overall at Screen Australia.)
  • FilmVic also offers travel grants to festivals and markets with your completed film, regardless of whether it was originally FilmVic funded.  These applications are based on the merit of the film and the application, however these grants are awarded quite frequently.
  • New Feature Writers fund, open to any level of experience. Successful applicants receive $30k for script development and are partnered with an industry mentor for 3 x 4 day intensive workshops.
  • If you walk in with a broadcaster attached to a project FilmVic will often provide ‘match’ funding, which in context we assumed would be some kind of dollar for dollar agreement.
  • FilmVic also provides ‘treatment to draft’ and ‘draft to draft funding’ for script development.

Defrim Isa - SAFC:safc_logo

  • You need to be a resident of a state for six months, provable with the electoral roll.
  • 3 – 4 shorts per year are funded at $50k each (30 – 35 application).
  • 8 x Low budget features at $350k each are also funded each year.
  • Aligning yourself with a more experienced screen practitioner from another state is a commonly used way of establishing co-productions for multiple state body funding.

Megan Simpson Huberman – NSW FTO:ftotitlelogo

  • Aurora – a national script development program for features. Selection is based mainly on track record and creative promise of the project.
  • Emerging Filmmakers Fund (we’re trying to find this on their website, perhaps it’s a new initiative) $30k (up to $40k) per project. As well as short film, this can include low budget innovative TV partnered with a broadcaster.

Ursula Cleary – PFTC (QLD):pftc-logo

  • The ‘New Screen Production Fund’ is for any platform: short films, test scenes for features, promos, trailers, or games.
  • Less focus on animation unless there is an obvious career path the project will help them with.
  • PFTC  also offer travel and marketing money for completed projects, as well as prints and blow-ups for filmmakers accepted into festivals requiring 35mm prints.
    These are largely dependent on the size of the festival as well as the strategic advantage it offers.  Factors which make the travel grant applications attractive include: if the festival has a market attached; if you have another project ready to pitch; if the festival was on the Oscar’s selection list, and; if the applicant had bookings for meetings with studios and / or distributors.  The example was mentioned that Teleride was a relatively small festival but great for networking, so it would be highly regarded.

Graeme Sward – Film and Television Institute (WA).fti-filmtelevisioninstitutewa
Although there was no one present from ScreenWest, Graeme has previously been on the ScreenWest board and was able to offer advice on approaching them. His main purpose however was to discuss funding available through the Screen Development Australia outlets such as Open Channel (Vic), Metro Screen (NSW), Qpix (QLD), Film and Television Institute (WA), Wide Angle (Tas), Media Resource Centre (SA).

  • Raw Nerve (indirectly funded by Screen Australia) is the best place, nationwide, for ‘emerging filmmakers’ or ‘early career screen practitioners’ to go for their first experience with a funding body.  Successful applications are guided through the funding process with assistance given with contracts and deliverables, for example. Successful applicants must only use Raw Nerve money for their production, no extra finance allowed.
  • When it comes to funding applications, “everything is based on a panel discussion process”.  Maximise the opportunity to present yourself as passionately and professionally as possible especially where it relates to information on how your film will be marketed.
  • Show a proven track record or align yourself with someone who already has one.  Approach the industry “dinosaurs” with your ideas and try to form creative partnerships with more experienced people.

Penelope McDonald – NTFO:DRAFT Strategic Framework for the NEW NTFO

  • The Northern Territory is the newest (and possibly smallest) of the funding bodies, servicing the smallest population. They often partner directly with Screen Australia.
  • They provide intensive boot camp training and strategic development as well as ‘Yarning Up’, a program for indigenous storytelling combining documentary with elements of drama.
  • NTFO is looking at implementing a shorts program in the future.


Karena Slaninka – Screen Tasmania:

  • Screen Tasmania likes to ‘value add’ to their funding by including professional development & mentoring.
  • Their Short Film funding requires that you have a long form project in development. This can be a game, series drama, mini-series or feature.
  • Think strategically in selecting short film projects that will be favourable in helping your chances of future long form work.  Examples were cited such as Gregor Jordan with Swinger leading into Two Hands;  Robert Luketic moving from Titsiana Booberini to Legally Blonde;  the three shorts that came before Somersault, and; Harvey Krumpet opening the door to Mary and Max.
  • Eurista (formerly Arista) is a private script development program being hosted in Tasmania, for which anyone can apply. There are two available strands: Project & Skills Development, and, training for script developers wishing to become Script Development Executives. Some state bodies are paying for interstate filmmakers to go. Private fees are around $4k.

Questions for the Panel:

Q: Is Screen Australia going to lower the minimum budget for Producer Offset eligibility beneath $1m?
A: This issue is still under discussion.  Screen Australia does offer outright funding for low budget features under $1m. Applications for this strand are closing soon.

Q: Are the state bodies going to be implementing more Producer Offset cashflow loans?
A: Financiers are still hesitant on cashflowing productions against the Producer Offset certificate, despite the fact that it’s “easy money”.  The state bodies are not rushing to provide more cashflow loans as they fear it will offer too much competition and inhibit the uptake from private financiers.
The panel also mentioned that you should have a lawyer on side before making any Producer Offset applications, and that productions below $2-3m were unattractive to private financiers.  It was later mentioned that budgets of $6-8m would be “a bit rich” for funding bodies to approve “emerging screen practitioners”.

Q: What are the key considerations when considering multiple state body co-productions?
A: In general, it’s all about where the key creatives are from, and where the money will be spent in production and in post.  SAFC however “[doesn't] care where the money is spent, it’s more about development of talent”, i.e. South Australian writers / directors and producers.  Overall the panel seemed to agree that they needed either the benefit of being able to report back to the Government that they attracted local production expenditure or they were able to help local talent go to the next level.

Q: How important is commercial viability vs Australian cultural expression in the funding selection process?
A: Overall, this is dependent on the project.  If it’s a genre film they want to see you hit the genre in order to get bums on seats.  On the other hand, if the project is something less commercial it would be looked on more favourably if the “budget was relative to the ambition of the project”.  It was also mentioned that in general, decisions to fund low budget productions are more about professional development than being market driven.

Q: Are budgets which pay crew by deferral looked poorly upon by funding bodies?
A: Not as a rule.  There was mention of producers deferring their own payment in what is known instead as ‘delayed payment’. This is more than acceptable.  Also, there seemed to be little problem with projects deferring payment as long as the payments were made in the first tier of recoupment.  All My Friends Are Leaving Brisbane spent $50k up front with $70K deferred.

In Closing:
Some closing advice included “get to know your local agency, develop trust; if they don’t trust you, you won’t get any money”, and, the three underlying influences for the decision makers are the applicant’s “passion, commitment and talent”.

The closing comment from Karena at Screen Tasmania clearly expressed that the funding bodies are full of people who are trying to grow talent and our film industry overall: “we want to help you develop your projects so you can succeed in your career”.

‘Climate Change’ Human Sign – St Kilda Beach, May 2009

Here’s something we threw together.  Share it around, we hope the crowd inspires you. They inspired us.

If you’re looking for links for all of the other media coverage from this event visit Live.org.au
http://www.live.org.au/index.php/human-sign/event-photo

Thanks to Penny Milstein for inviting us to be invloved, you can find similar videos on her youtube channel YouBeGreen or visit her local community group, Sustainability In Stonnington.

‘Boxer’ – Short Film Finalist at Sydney Film Festival 2009

One of Bronya’s more recent efforts was her role as production manager on Michael Latham’s short film, Boxer.

We’re extremely  pleased to have just received a late night email from Michael announcing that the film he wrote and directed in late 2008 has been selected as a finalist at this year’s Sydney Film Festival.

We wish Michael and his producer, Lester Francois the best of luck and wish we could be there in June for the festival.

Conscious Flux to cover Climate Change ‘Human Sign’ event.

human_sign1We’ve been asked to cover this Sunday’s Guinness Book of Records attempt,
to be held on St Kilda Beach.

The event is organised by www.live.org.au and will attempt to create the largest human sign in human history as a way of bringing public attention to the urgent action required to turn our current climate situation around.

It starts at 11am sharp so be there if you want to make some positive change this weekend.

Take a look at the www.live.org.au website for more details.

‘The Happy High Laughter Club’: Cast & Crew Screening

Lead actors Lloyd Bissell & Rob Graham.

Lead actors Lloyd Bissell & Rob Graham.

The Glasshouse Warehouse was packed from end to end last night, with a sizable crowd having to watch the screening with the cobbled stones of the lane underfoot.

Conscious Flux is proud to announce that the evening was a resounding success.  The film’s one and only private screening saw a warm audience response as people were clearly affected by Adrian Goodman’s dark little tale.
The film will now be submitted into a number of international festivals and a small run of DVD copies will be mailed to the Cast and Crew of the film.

Bronya, Jonathan and Adrian would like to thank everyone who attended for helping to celebrate the completion of a project that everyone involved can be extremely proud of.

Special thanks go to Grumpys Green for the loan of their projector and screen, The Good Brew Co. for providing liquids made with love and Pink Noise for their support with the sound gear.

Also, if you’ve been following our News page, the answer to your burning question is that the 16:9 version reigned supreme.

hhlc_screening1

Solar Feed-in Tariff Demonstration

solarprotestwide

On our way to a client meeting (our first real one since opening shop) we managed to swing by a public demonstration on the steps of the Victorian Parliament.

The demonstration was held to try to persuade the Victorian State Government to honour their election promise to introduce a feed in tarriff that pays solar panel owners what Premier Brumby described as a ‘fair price’ for the electricity feeding back into the grid.

Representatives from the Alternative Technology Association of Australia, Environment Victoria and The Australian Greens, spoke passionately, outlining their concerns.

The following are only some of the many allegations that were leveled at the Victorian Government:

  • The feed in tariff provides comparatively inadequate financial compensation for local solar feeders.
  • The state Government just released it’s budget and of $42 billion, only $1 million was allocated for renewable energy and nothing for energy efficiency.
  • The feed in tariff specifically excludes small businesses from being able to redeem cash for their solar generated electrical contributions to the grid.
  • No more than 3.2 Kw per household would be considered for reimbursement.
  • The Victorian Government’s own environmental department report recommends throwing heavyweight support behind the solar industry through tarrifs as a way to create large scale employment for the state.

solarprotestpenny1Speakers also stressed the opportunity open to Victoria for explosive employment growth, citing Germany success with their feed in tariff as an excellent example.

The tabled solution is what’s known as a Gross Feed-in Tariff which would pay solar owners a premium for the carbon free electricity they put back into the grid.

Overall, the consensus from all of the speakers was that the Victorian public should be deeply concerned about their Government’s unwillingness to lead Victoria towards a more sustainable future.

For more info on this event check out the following stories at The Age and The Herald Sun.

‘The Happy High Laughter Club’: Completed

After Risk Sound’s amazing work completing the mix, it was off to Digital Pictures again to have the completed short film mastered to HDCAM, ready for the festival circuit.hhlc_invite_small

With the completed film in hand there was really only one thing left to do.

Invitations were made. Beer, wine and projector was booked.

That’s right kids, it’s time to get everyone around for an exclusive Cast & Crew screening of the final film.  But which final film?

Will it be the original 16:9 version or the last minute 1.85:1 Cinema Aspect version that reigns supreme?

Stay tuned for photo’s from the event, coming up in early May.

New Matilda’s ‘The Tangled Web: Beyond An Internet Filter’ Forum

Here at Conscious Flux, more than any other social issue, we care about maintaining free speech online.

On April 27, 2009 as part of our ongoing efforts towards social responsibility, we attended a public forum at ACMI to learn more about the Australian Governments plans for implementing a mandatory internet filter.

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Here’s a rundown on what the speakers had to share:

Overall the most concerning aspect was when we learned from Senator Scott Ludlam of the Australian Greens that the Labor Party only tabled their Internet Filter policy in parliament five days before the Federal Election, and it didn’t come with an accompanying press release.

If memory serves me correctly, upon gaining office the Rudd Government immediately made a public statement that they were going to make a public apology to the stolen generations.  Soon after they started spouting about their urgent need to start work on implementing a mandatory internet filter, as they wanted to keep their election promise.  This hardly seems like a mandate from the masses when no-one even knew it was an election promise.

There’s a lot of confusion in the press regarding whether it’s even possible to create a nation wide internet filter.  After this seminar it is abundantly clear that it is possible.  There are essentially two options on the table. The first is a dynamic filter which, according to tests, will slow internet traffic dramatically, as it would be required to check all traffic live, as it happens.  Thankfully for the people who wish this plan to go ahead, they’ll be able to come in at the last minute and reveal that there’s another way which doesn’t effect internet speed, but instead involves a blacklist.

Colin Jacobs, Vice Chair of Electronic Frontiers Australia:

  • Colin Jacobs suggested that while the filter is technologically possible, it doesn’t in fact address the government’s own policy goals.
  • The (often cited) IWF blacklist in the UK is not mandatory, instead it is offered to families on an opt-in basis. The IWF, who compiles the blacklist is also completely independent of the UK government, unlike our current legislation.
  • Sites would be added to the blacklist using a complaints based system with the ACMA.
  • The Freedom of Information Act has recently been changed to exclude the proposed blacklist of banned web addresses. This means there is no way for journalists or the public to be able to criticise the government’s choices as to which information will be censored.
  • There is a version of the Blacklist published on Wikileaks.org which shows that the sites included are far beyond the originally stated scope of RC content. The wikileaks site itself was in fact included on the blacklist.  It should also be noted that RC (Restricted Content) is not actually even illegal.
  • There have been examples of innocent sites, having been hacked with offensive material that have been added to the blacklist. Once cleaned up they have had no recourse to be removed from the blacklist.
  • The ACMA has done studies asking the public questions such as ‘Why Don’t You Have An Internet Filter’, referring to the currently available opt-in version. The Australian public almost unanimously showed they weren’t interested in internet filtering.
  • If implemented, every ISP in Australia will be required to install Government provided hardware to make sure the blacklisted sites are not accessible to the public.
  • The Australian Government states that, according to their studies, the three key risks to children online are a) Content, b) Fraud / Grooming and c) Bullying. The ‘clean feed’ technology will only attempt to address one of these. There are many claims that, despite the $44 million dollars being spent, it will not effectively work even in the one category it attempts to deal with.
  • Some alternative solutions to addressing the above three risks to children can be found in a study called ‘Enhancing Child Safety and Online Technologies’, published by Berkman Center for Internet and Society, Harvard University.

Michael Flood – Sociologist:

  • Michael explained that he was one of the original supporters of this legislation, along with co-author Clive Hamilton, after they completed a study into the effects of porn exposure on 16 and 17 year olds. The study conclusively found that porn had a harmful effect of young peoples perception of sexuality.
  • Michael Flood admitted being an early advocate, he explained that he has since ‘backed away’ from an internet filter as a viable solution due to ‘technical problems and political dangers’. He claimed that, while he still believed that overall porn had a harmful effect on young people, ‘that doesn’t mean we should turn to censorship’.
  • Michael went on to explain that the kinds of effects that pornography was found to have on young people included: that it was conclusively damaging to young children and actually disturbing to some; it had a liberalizing effect on the young persons social perspectives (he had no judgment as to this being good or bad); it produced a growing tolerance of participation in sexual aggression; there was clear evidence of large numbers of young people stumbling on to online porn by accident.
  • His suggestion was to address these problems in our society by presenting better solutions than internet filtering. In context, he seemed to be implying our need as a society to actually address these problems instead of just trying to hide them from sight.
  • He claimed that most porn is ‘calous and hostile’, and though not all porn is necessarily bad, overall it does social harm.
  • A suggestion he made was to encourage the production of more responsible porn.  He also argued for education which teaches our kids to be more critical media consumers including online media. Within this he suggested education about how a child should appropriately respond if accidentally landing on a porn site.
  • He strongly encouraged the opt-in filtering system that is already currently available.
  • Last of all he encouraged stronger age verification technology to be used by the porn industry, as well as more ‘brown paper wrapping’ style front pages to prevent accidental use.

Senator Scott Ludlam – The Australian Greens:

  • Senator Ludlam began by mentioning that he had received ‘more email about this issue than most other issues combined’.
  • He raised the concern that despite what he might perceive to be Senator Conroy’s good intentions, this was an enabling technology.
    The real question being: ‘What about his successor?’
  • What else could we do with the $44 million being spent to better achieve the policy goals?
  • When illustrating how hard it is to repeal legislation once it is in place Ludlam mentioned that every line of ‘temporary’ post 9/11 legislation is still in place despite the change of government. He also mentioned that once the bulk of the legislation is passed, it’s a lot easier to make relatively minor tweaks over a longer period of time .  I personally took this as a warning that it may be easy for future governments to use this legislation and technology for less than altruistic purposes.

Questions from the audience brought out the following points:

  • It was suggested that an internet filter would not stop criminal activity, instead causing criminals to use encryption and proxy servers, thereby driving the criminal activity further underground.
  • In response Colin Jacobs illustrated that the filter may cause a certain level of self censorship as seen in countries like China.
  • The tests have been required to trial 10,000 sites, while the current blacklist is a list of only 1300.
  • When asked for predictions as to where this technology might be heading the panel suggested that the copyright lobby are probably lining up to add sites of their choosing to the blacklist, like The Pirate Bay for example.
  • An audience member suggested that it seemed like a contradiction for the blacklist to be complaints based when the whole system is supposed to protect people from the viewing the content in the first place.
  • It was mentioned that the blacklist will be sent to every ISP and as a result it bound to leak, releasing sensitive information to the public.

Online independent news and current affairs site New Matilda were the gracious hosts of the evening.

Our suggested solution to what we percieve as a threat to free speech in Australia is outlined in our post about The National Human Rights Consultation.

The National Human Rights Consultation

As part Conscious Flux’s ongoing efforts toward social responsibility, we’ve been out and about participating in some community forums of late.  Read on to find out about what we had to say and what we learned.

The National Human Rights Consultation, according to the Australian Government’s website, ‘provides the opportunity for you to share your views on human rights.’  On April 14th 2009, we attended one of the Round Table Discussion Groups in Melbourne and have since started preparing our submission for the independent committee which is responsible for advising the government.

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During the two hour session we had the opportunity to voice our concerns and suggestions for a National Human Rights Bill, as well as hear the concerns of other community members.

Our Suggestion – The Right to Communicate:
Here at Conscious Flux, we have a strong feeling that everything’s going to be ok.  The earth will be fine and the human race is going to prosper long into the future, as long as we safeguard and protect one thing: the ability for the world’s people to freely communicate with each other.

The human race currently has the ability to pour all of our collective knowledge into one commonly accessible source, for the first time in human history.  In fact, since the inception of the internet there has been a worldwide explosion of free speech, the likes of which hasn’t happened since the early days of radio (before the bandwidth became limited almost exclusively to commercial entities). In our opinion, as long our ability to publish and access information remains uninhibited, i.e. without it being filtered through commercial or government gatekeepers, truth will continue to rise to the surface and help us build a better human society.

Our main objective at the Round Table Discussion was to raise the prospect of introducing something like what is expressed in the Adbusters Magazine ‘Right to Communicate‘ Campaign, which essentially strives to allow the democratic participation of all citizens in the mass media.

Here are some excerpts from the Adbusters ‘Right to Communicate’ Campaign Media Carta, which articulates a lot of what we’re hoping for:

  • What we ultimately seek is a new human right for our information age, one that empowers freedom of speech with the right to access the media. This new human right is: The Right To Communicate. We hereby launch a movement to enshrine The Right To Communicate in the constitutions of all free nations, and in the Universal Declaration of Human Rights.’
  • ‘…we demand the right to buy radio and television airtime under the same rules and conditions as advertising agencies. We ask our media regulators to set aside two minutes of every broadcast hour for citizen-produced messages.’

This campaign also includes other points including demands toward the decentralisation of media ownership.

Why is The Right to Communicate important to Australians?
An excellent example of why this particular right is so important to us in Australia is an incident which occurred in 2008. Getup.org.au, an independent, grass-roots community advocacy organisation, managed to scrape together enough money from their membership to produce and air a thirty second television commercial following the opening ceremony of the Beijing Olympics. With payment made and booking confirmed, the Seven Network pulled out at the last minute. There was an immediate public backlash against this perceived self censorship, however there was technically no legal avenue for the people to demand that their voice be heard.  A detailed account of this incident can be found on ABC’s Media Watch.

I personally found this extremely concerning, that in a democratic society, citizens were unable to have access to the media to express themselves politically. It raised the very serious question as to whether private corporations, who don’t necessarily have the community as their primary concern, should be the only ones (aside from political parties funded by private corporations) able to use television to influence the masses.

When given the opportunity I did in fact voice to the room at the Human Rights Round Table Discussion, that my biggest concern was free speech on the internet. I expressed that without the ability to freely share information online, none of us would be able to effectively research and communicate our concerns regarding all of the causes that we each care about as individuals. Obviously my suggested solution was some kind of Right to Communicate.

What other people had to say:
During the day, by far the most interesting aspect was listening to the concerns of other community members.  Some of the concerns that stick out in our minds include the following:

  • Some suggested a right to accurate information about our food, i.e food labelling, origins and content of genetically modified materials.
  • Others suggested creating a link between human rights and environmental protection in order to gaurantee that future generations can enjoy the natural environment the way past generations have.  There were also quite specific concerns about our ability to access clean water and clean air, especially considering the new potential for their privatisation through privately owned desalination plants and the new carbon trading program. (Since attending, Bronya has discovered that there is a campaign from the Environmental Defenders Office to include environmental rights within this new Australian human rights charter.)
  • The person who aligned most closely with our opinions was a woman called Glenys Stradijot, the Campaign Manager for Friends of the ABC Victoria.  Glenys took the time to raise concerns about (and I am now paraphrasing from memory) media monopolisation and the erosion of editorial independence in non-commercial broadcasting.
  • A very large issue that came up time and time again was the idea of corporate responsibility and the fact that this legislation didn’t appear to include corporations within it’s scope.

Learning this fact made the entire community consultation process seem like an exercise in futility. If corporations were exempt from having to take responsibility for any harm they might cause to the community then the entire act seemed like a waste of time. (For a better understanding of how important corporate responsibility is visit www.storyofstuff.com.)

  • One of the major concerns about the legislation itself and the actual round table discussions was the wording in the documentation and opening address.  They contained such phrases as ‘Human Rights (and corresponding responsibilities)’. This itself wouldn’t be a problem if the community was adequately consulted about the responsibilities they feel they should take on in exchange for certain inalienable rights, however the discussion only touched on ‘responsibilities’ when people were asking why no-one had mentioned it. Concerns were then raised that this legislation might be used to slip through a whole set of unknown responsibilities, that Australians would then be required to adhere to by law, which were barely glanced over in the public discussion.

Last of all I was left with a further sense of doubt about the process, as there didn’t seem to ever be any direct reference to including any new human rights in this legislation. It seemed that at every turn the public was being asked which rights (that are already protected, buried in legislation all over the place) should be included in a new easy-to-teach-to-kids format. As stated earlier, my main concern was to raise the idea of a new right to communicate and I walked away unsure as to whether it would ever qualify for consideration.  Over the course of the day I also became increasingly fond of the idea of adding new environmental protection rights. Sadly, the appropriate representative wasn’t present and this question was left unanswered.

What next?
Answering the above questions is the very next stage of our research, as well as looking into the potential for using this bill to re-implement and permanently secure some of the rights we lost when much of the anti-terror legislation was rushed through parliament, post 9/11.

We also recently attended a seminar at ACMI, hosted by online independent news outlet, NewMatilda.com.   ‘The Tangled Web: Beyond An Internet Filter’ was about the Australian Government’s attempt to introduce ‘Clean feed’ internet filtering technology. At this forum, I took the opportunity to mention the National Human Rights Consultation and the idea of proposing a ‘Right to Communicate’ which would potentially make the entire ‘Clean Feed’ argument completely void. More info about this evening will be found in the Conscious Flux blog: New Matilda’s ‘The Tangled Web: Beyond An Internet Filter’ Forum.  In the meantime you can also check out New Matilda’s wrap up of the event here.

Overall, we’re very excited about the fact that the public has an open invitation to have its voice heard. Regardless of what the government is expecting to hear, I’m confident that the people will make their true opinions known.  Our next move on this front is to continue with the public submission process which is due on the 15th of June 2009. We’ll keep you posted.

JD.

Beer & ‘Boogie Festival’ Filming.

Ready for Boogie

Ready for Boogie

BEER:
Conscious Flux spent the better part of last week shooting the pilot episode for Back Pocket Democracy, our soon-to-be-launched web based lifestyle series about sustainable living.

Segment one is all about sustainable brewing, proving that if you want to make the world a better place you can do it from the comfort of your local pub.  The story saw us meet a sustainability consultant specialising in greener beer manufacturing, as well as two breweries implementing these resource saving techniques.  We then managed to slip in a chat with the owners of a green-focused bar, showing the end to end process of more sustainable beer options being made, transported and enjoyed by the public (not to mention the odd beer enjoyed by us).

BOOGIE:
We also spent the Easter long weekend at an amazing little festival called Boogie.  You’ll see some of the stuff we shot in an upcoming BPD story about sustainable festivals.  We swear that the we were just transporting that keg as a favour to The Good Brew Co. in order to lower the carbon impact of its delivery to the festival.  Not that we had the opportunity to explain this fact to the traffic stopped on Hoddle St, who literally laughed as we crossed with camping gear and keg on day one of the long weekend.

We’d love to tell you more about Boogie, but you know how it goes:  what happens at Boogie stays at Boogie.

Conscious Flux – Now Open For Business!

HappyHigh

After only a short time we’re already noticing a really warm response from everyone we’ve been in touch with so far.  The word of mouth snowball is already gathering momentum. Our first major project is a web based lifestyle series about people making the shift towards a more sustainable way of living.  It’s called Back Pocket Democracy, so be sure to keep an eye out. Drop us an email if you’d like to be added to our mailing list and we’ll let you know when our pilot segment about sustainable brewing goes online.

Director Adrian Goodman & DOP Adrian Price moments after the colour grade at Digital Pictures

Director Adrian Goodman & DOP Adrian Price moments after the colour grade at Digital Pictures

Additionally, we are are in the final stages of completing a short film we’ve been producing with director Adrian Goodman called The Happy High Laughter Club, which is due for cast and crew screening in a couple of weeks before hitting the festival circuit. Aside from all of this we’re well and truly in the thick of building our core business; using our media skills to help ethical, socially responsible and environmentally sustainable businesses to expand their market share.  If you’re involved in a business that fits with what we’re all about, or you’re looking to make the shift, we’d love to get in touch. It’s an exciting time for us as crises – be they economic, social or political – are always a great opportunity for change and we really feel that change is what the world needs right now.